EARLY BIRD (30 tickets) : 50kr
Electric Citizen [US]:
After bursting onto the American heavy rock forefront with their 2014 debut album, Sateen, Cincinnati four-piece Electric Citizen are ready for a Higher Time. Their second album for RidingEasy, it is a breakout moment for the band as a whole and for vocalist Laura Dolan, who stands tall in the spotlight throughout “Evil,” “Misery Keeper” and the rest of Higher Time, rising to the occasion of a fuller, bigger sound and meeting the memorable riffing of husband/guitarist Ross Dolan head on with already-stuck-in-your-head hooks and a fiery, passionate delivery.
Like its predecessor, Higher Time was recorded at The Diamonds Studio in Cincinnati by Brian Olive (The Greenhornes, Dan Auerbach, Dr. John, etc.), and in search of an even more expansive feel, Laura, Ross and Brian traveled to mix alongside Black Keys engineer Collin Dupuis at Easy Eye in Nashville, TN. The results speak for themselves. In Laura’s performance and in the multi-faceted approach of Ross alongside bassist Randy Proctor and drummer Nate Wagner, Electric Citizen branch out with stage-born assurance across a collection of definitive rock ‘n’ roll. It is a bold, complete sound that sacrifices nothing of the band’s on-stage energy and clearly demonstrates that while their progression has been quick, it’s been hard won the traditional way: They worked their collective ass off.
“We chose producer Brian Olive because he's an excellent musician with a great ear for rock ‘n’ roll, and a good friend that we trust,” notes Laura. The dividends of that trust can be heard in “Ghost of Me,” the rolling “Natural Law” or “Devils in the Passing Time,” as Electric Citizen brazenly refuse to be pigeonholed and craft a style that, like every stage they step onto, is completely their own.
Electric Citizen spread their name far and wide on tours with Fu Manchu, Wolfmother, Budos Band and Pentagram for Sateen. Look for them to support Higher Time on the road in North America and Europe throughout 2016 and beyond.
Salem's Pot [SWE]:
“Don't try to fight it,” the band’s motto implores, “Salem's Pot has come to destroy your mind.” It’s the same kind of winking tease employed by low budget horror films of the 70s-80s that essentially dared audiences to experience what they knew they wanted, but couldn’t possibly expect.
Likewise, the new album by mysterious Swedish quintet Salem’s Pot delivers truly gritty and captivating heavy rock in high contrast technicolor: a sonic equivalent of The Last House On The Left, El Topo and Blood Feast. Similar to the way such ?lms made up for their lack of ?ashy, expensive effects with dim lighting and implied violence, a hallucinogenic sense of true evil lurks in the dark corners of Salem’s Pot’s sound. Lest we forget, the band’s name itself is a pun on Stephen King’s stark, modernized vampire masterpiece. Where previous Salem’s Pot releases honed doom riffs to perfection, Pronounce This! sees the band expanding its horizons to the far corners of imagination.
It’s a hazy fever dream of dark, thrilling excess. It’s equal parts of The Cramps’ Psychedelic Jungle, Pentagram’s Relentless, Roky Erickson’s The Evil One and The Stooges Raw Power, as much heirs to Deep Purple as Dead Moon… metal, garage punk, acid rock and a belladonna trip gone wrong. It’s not heavy metal, this is a mutant monster that cannot be tamed.
And, perhaps as a continuation of the band’s fascination with sinful lore, Salem’s Pot never identi?es its band members individually — they’re all completely anonymous without so much as a stagename. One of the biggest upgrades since the band’s 2014 RidingEasy album …Lurar ut dig pa prarien is the addition of second guitar, with the previous drummer giving up the throne for the strap and a new unnamed mystery man pounding the kit. Now, the band is freed to expand beyond the riff and get truly freaky. And with each new release, the vocals are way more snarling punk than the doom histrionics of their peers.