WCP Presents Katatonia, Caspian & Uncured
(Thursday) March 23, 2017 - 19:00
Republic NOLA - 828 S Peters St (Map)
48 people attended
DESCRIPTION
**Pre-sale begins this Thursday, December 1 (10am-10pm), using password FALLEN. Tickets on sale to the general public this Friday, December 2 at 10am CT here: http://bit.ly/KatatoniaTixNOLA
Winter Circle Productions Presents...
Katatonia
with Caspian & Uncured
Thursday, March 23, 2017
Republic NOLA
Doors 7pm | 18+
The passing of time brings longer shadows and darker thoughts to the human mind. Melancholy’s cry is never far from our ears, even in the happiest of times. But while there is no true answer to the meaning of our brief lives, music will always be a reliable and trustworthy companion through fear and uncertainty.
Perhaps more than any other contemporary band, Katatonia have long displayed a masterful propensity for expressing the tears and torments of mortality, offering sumptuous glimmers of sonic hope to soothe our troubled souls. In 2016, Stockholm’s widely celebrated soldiers of sorrow will once again stir the blood and embolden our hearts with a brand new album that promises to further cement their already unassailable reputation.
The band’s story began in earnest 25 years ago when Jonas Renkse and Anders Nyström first joined forces to explore the limitless possibilities of the then burgeoning doom and death metal scenes. Bands like Paradise Lost and My Dying Bride were standard bearers for British melancholy, but Peaceville label mates Katatonia swiftly established themselves as Sweden’s idiosyncratic equivalent, releasing their debut album Dance Of December Souls at the end of 1993 and receiving immediate acclaim within the metal underground. With a sound that was both familiar and startlingly fresh, Katatonia’s early works exhibited plenty of the elegance and subtlety that would later typify the band’s work: 1996’s Brave Murder Day (featuring harsh vocals by Opeth’s Mikael Akerfeldt) proved a major milestone, eliciting rave reviews and taking its creators away from the doom mainstream and into unique, uncharted territory. 1998’s Discouraged Ones reaffirmed the Swedes’ blossoming mastery of dark metallic wonder; their steadily increasing fascination with the vivid hues of progressive rock and other non-metal elements enabling their sound to evolve exponentially with each successive creative splurge. The impact of Tonight’s Decision (1999) and Last Fair Deal Gone Down (2001) was equally undeniable. These were records that brimmed with ingenuity, melodic intuition and moments of emotionally devastating dynamism: the sound of Katatonia’s metal roots being allowed to assimilate a richer, more diverse array of influences and textures.
With countless lauded live shows and festival appearances, the band’s status as one of heavy music’s most revered acts was etched in stone by the time the 21st century truly kicked into gear. 2003’s Viva Emptiness and 2006’s The Great Cold Distance were, as Renkse and Nyström further refined their mercurial songwriting talents. As the notion of progressive music began to exert its allure over open- minded music fans to a degree that it manifestly hadn’t since the early 70s, Katatonia were perfectly positioned to benefit. As their audience and appeal broadened, they began to make ever more adventurous and absorbing music, hitting a dizzying peak with 2009’s Night Is The New Day, an album widely hailed as a masterpiece. Continuing on that triumphant path and maintaining that rich vein of form, both 2012’s Dead End Kings and its delicate, re-imagined counterpart Dethroned & Uncrowned a year later inspired praise and plaudits galore. Whether dismantling and reconstructing their metal roots or diving into more ethereal sonic waters, Katatonia have been on a creative roll for more than two decades. Fast-forward to 2016 and the band are poised to release what may well prove to be their most affecting and powerful album to date. The Fall Of Hearts is Katatonia’s tenth studio album; a remarkable achievement in itself, but the sheer quality and consistency of the band’s music remains their most striking trait.
