(Monday) April 17, 2017 - 19:30
Riverside Newcastle - Neptune House (Map)
29 people attended
DESCRIPTION
At a time when modern metal is so slavishly led by the following of whatever fashion carousel is popular this week, rare are the bands who find success on their own, gimmick-free terms. A decade into their career, Southampton/ Portsmouth quintet Bury Tomorrow are, by whatever yardstick you want to measure it, one such band.
With an ethos which has never wavered from a threefold focus on unswerving passion, unrelenting hard work and remorselessly driving, slash ’n’ burn riffola, Bury Tomorrow have hauled themselves into a position as one of the UK’s premiere purveyors of mosh by the sheer force of their own will. 2014’s ‘Runes’ saw a veritable dam-break for the band, a UK rock chart number one and top 40 success in the mainstream, it was a record that enabled them to take their devastating live show to festival main stages across Europe and the UK, before finally culminating in a headline tour which saw the band playing to 1400 braying fans at a sold out London KOKO.
Now though, with Earthbound, they have stepped things up yet another gear.
“To me, Earthbound feels like the distillation of everything we’ve ever wanted this band to be about,” says frontman Dani Winter-Bates. “Our first three records are kind of part of their own trilogy but this is Bury Tomorrow’s record, we all see this as our chance to show people what we are capable of.”
Certainly Earthbound finds BT on more concise form that ever before: ten tracks that get in, batter you across the face, and get out again with precious little time for respite or caught breath. Hardcore mentality for a metalcore generation.
“A big thing for us this time around was to get down to the real nitty gritty of what our fans wanted from us and how to give them without wasting a single second,” continues Dani. “To me, there are ten singles on this album, whereas before we’ve maybe ebbed and flowed over the course of a record, with Earthbound we wanted pace, we wanted heaviness, and for me, personally, I wanted to write a record which was the sonic embodiment of a circle pit. I think we’ve done that.”